Alessandro Striggio (c. Alessandro Striggio (c. 1536/1537 – 29 February 1592) was an Italian composer, instrumentalist and diplomat of the Renaissance. He composed numerous madrigals as well as dramatic music, and by combining the two, became the inventor of madrigal comedy.
During the 1560s Alessandro Striggio, Florence's highest-paid court musician, more or less cornered the market for forty-part music. Ecce beatam lucem; Ecce bonum sempiternum, Vos turba electa celebrate Jehovam eiusque natum aequalem Patri deitatis splendorem. Virtus Alma et maiestas passim cernenda adest. Quantum decoris illustri in sole, quam venusta es luna, quam multo clar'honore sidera fulgent, quam pulcra quaeque in orbe. O quam perennis esca tam sanctas mentes pascit!.
The Italian Renaissance composer, instrumentalist, diplomat and inventor of the Madrigal Comedy, Alessandro Striggio, was born in Mantua, probably to an. His forty part motet Ecce beatam lucem or his forty part Mass (including a sixty part setting of the final Agnus Dei) probably inspired Thomas Tallis to write his Spem in alium. Striggio published seven books of madrigals, and his most famous composition is the madrigal comedy Il cicalamento delle donne al bucato et la caccia.
Striggio – Ecce beatam lucem (c.1566) – The Listening Project ...
One of his most impressive works, and one of the most impressive achievements in Renaissance polyphony, is his motet Ecce beatam lucem for forty independent voices, which may have been performed in in Munich. [3]. Alessandro Striggio – Wikipédia
Title: Ecce beatam lucem Composer: Alessandro Striggio. Number of voices: 40vv Voicing: 5 choirs × Genre: Sacred, Motet. Language: Latin Instruments: Full instrumental accompaniment; or basso continuo; or may be performed a cappella. First published. ECCE BEATAM LUCEM à 40 VOCI by Alessandro Striggio {Audio ... Striggio – Ecce beatam lucem (c.1566) Alessandro Striggio the Younger, born around 1573 in Mantua, Italy, was an Italian composer and lyricist of the late Renaissance and early Baroque periods. Striggio served in the Medici court in Florence, where he collaborated with the likes of Jacopo Peri and Giulio Caccini on the earliest operatic works.Ecce beatam lucem (Alessandro Striggio) - ChoralWiki - CPDL The rediscovery of Striggio’s 40- and 60-part mass setting, sopra Ecco sì beato giorno, probably written in 1565 or 1566, has resulted in some interesting reflections on the extant 40-part motet Ecce beatam lucem. The motet comes down to posterity only in a set of parts copied in.Striggio: Mass in 40 Parts (Coro) - MusicWeb International He had opened the concert with Striggio in full cry, the motet, “Ecce beatam lucem” – a splendid if less complex use of 40 voices. Phillips also conducted the Lassus in wonderful style, the Royal Albert Hall perfect for this glorious Italianate, florid writing that contains many prophetic touches. Ecce beatam lucem - CPDL
His forty part motet Ecce beatam lucem or his forty part Mass (including a sixty part setting of the final Agnus Dei) probably inspired Thomas Tallis to write his Spem in alium. Striggio published seven books of madrigals, and his most famous composition is the madrigal comedy Il cicalamento delle donne al bucato et la caccia. Ecce beatam lucem Alessandro Striggio I - CPDL
Alessandro Striggio's part motet Ecce Troiano beatam in his lucem, Dialoghi, a commemorative account of edited by Hugh Keyte, is published this the month festivities by Mapa at Munich in marking the Mundi.
Alessandro Striggio - Wikipedia
The rediscovery of Striggio’s and part mass setting, sopra Ecco sì beato giorno, probably written in or , has resulted in some interesting reflections on the extant part motet Ecce beatam lucem. The motet comes down to posterity only in a set of parts copied in.
Striggio's forty-part motet Ecce beatam lucem survives in a unique manuscript source, dated 1587, in the Ratsschulbibliothek in Zwickau. Striggio’s forty-part motet Ecce beatam lucem survives in a unique manuscript source, dated 1587, in the Ratsschulbibliothek in Zwickau. Its text, first published in 1595, formed part of a Pindaric ode written by the neo-Latin poet and Calvinist Paul Schede Melissus (1539–1602).
Memorialls of Great Skill: A Tale of Five Cities - JSTOR
Alessandro Striggio has become almost exclusively known for his motet Ecce beatam lucem, scored for no fewer than 40 voices. This disc sheds new light on this composer who apparently liked large-size performances, as his Missa Ecco sì beato giorno shows, which is also scored for 40 voices. Alessandro Striggio - Classical Music Daily
Striggio’s “Ecce beatam lucem,” composed around , represents a pinnacle of Renaissance choral polyphony. From a musicological perspective, the piece is notable for its grand scale, employing no less than 40 independent vocal parts. Ecce beatam lucem -
Ecce beatam lucem Alessandro Striggio I (ca–) Choir 5 Soprano 7 Countertenor 4 Countertenor 5 Baritone 8 Mezzo-sop. 3 Countertenor 6 Baritone 9 Bass 3 Continuo Ec ce - be á - tam - lu cem, - Ec ce - be -átam - lu cem, - Ec ce - be á - tam - lu cem, - Ec ce - be á - tam - lu cem, - Ec ce - be á - tam - lu cem, - Ec ce - be á.